Declare Epithetical Books Noise: The Political Economy of Music
| Title | : | Noise: The Political Economy of Music |
| Author | : | Jacques Attali |
| Book Format | : | Paperback |
| Book Edition | : | (Theory and History of Literature, Vol 16) |
| Pages | : | Pages: 196 pages |
| Published | : | June 30th 1985 by Univ Of Minnesota Press (first published February 24th 1977) |
| Categories | : | Music. Philosophy. Nonfiction. History. Sociology. Politics |
Jacques Attali
Paperback | Pages: 196 pages Rating: 4.1 | 761 Users | 44 Reviews
Interpretation Concering Books Noise: The Political Economy of Music
“Noise is a model of cultural historiography. . . . In its general theoretical argument on the relations of culture to economy, but also in its specialized concentration, Noise has much that is of importance to critical theory today.” SubStance“For Attali, music is not simply a reflection of culture, but a harbinger of change, an anticipatory abstraction of the shape of things to come. The book’s title refers specifically to the reception of musics that sonically rival normative social orders. Noise is Attali’s metaphor for a broad, historical vanguardism, for the radical soundscapes of the western continuum that express structurally the course of social development.” EthnomusicologyJacques Attali is the author of numerous books, including Millennium: Winners and Losers in the Coming World Order and Labyrinth in Culture and Society.
Define Books During Noise: The Political Economy of Music
| Original Title: | Bruits : Essai sur l'économie politique de la musique |
| ISBN: | 0816612870 (ISBN13: 9780816612871) |
| Edition Language: | English |
Rating Epithetical Books Noise: The Political Economy of Music
Ratings: 4.1 From 761 Users | 44 ReviewsAssessment Epithetical Books Noise: The Political Economy of Music
absolutely genius book tracing the origin and development of music, but so much more - showing music as a reflection of, and a precedent for, the structure of production within society, by focussing on the relationship between music, power and money.It takes it starting place atop Rene Girard's theory of memetic desire and the essential violence, showing musics birth and utility in the midsts of time amongst primal society and the ritualised slaughter of a scapegoat. That seemed a bit hard toAttali makes sweeping claims for music's ability to forecast future economic structures, but doesn't provide a lot of detailed evidence. I was not convinced that music (as opposed to visual art, philosophy, film) has any special power to predict economic superstructures.
One of a handful of all time favorites.
As an investigation into the fetishization of music and the regression of listening, Noise: The Political Economy of Music manages to fail in interesting ways. Attali attempts to provide a historical investigation into the development of music from its origins in ritual through to the development of modern recording. To achieve this, he draws on an approach heavily influenced by Theodor Adorno and Critical Theory. The result is at times brilliant as it traces the economics of nineteenth and
Highly recommended for anyone with an interest in the history of music, its development into a commodity, the history of what actually was commoditized, and, most importantly, music as something other than a commodity.Not an easy read and requires a considerable amount of attention, thought, and time, but obviously well worth it if you're interested in the above topics. Timeless relevant, which is good news, given that it's well over 30 years old.As a creator, I found it all inspiring,
An economist writes about music history, and how the art form is predictive of socio-economic movements throughout human history. Doesn't sound as interesting as it really is. He doesn't know everything about music and he's not 100% successful but his notion of composition, derived mostly from free jazz, provides the framework for a truly positive path for a creative life and society. It's too bad it was written in '78. It would be really nice to see what Attali would have to say about the
0 Comments